2.239 file audio bebas royalti untuk "Symphony No. 7 (mahler)"

*7 steps in 19 equal temperament on C = E♯ (Easley Blackwood's notation). Equal-tempered: 27/19:1 = 442.11 cents. MIDI pitch bend: 61,45 on a P4 Created in Sibelius with midi pitch bend on 77 for 440.625 cents rather than 442.12. New version a M3 on 60,77 for 442.08984375 cents rather than 442.12.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*7 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 27/16:1 = 525 cents. MIDI pitch bend: 0,72

*Two secors on C. 18/52/19 = 233.43 cents.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 28,70

*7 steps in 15 equal temperament on C = F↑ (Easley Blackwood's notation). Equal-tempered: 27/15:1 = 480 cents. MIDI pitch bend: 26,83 on a P4

*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU

*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Wagner - Leitmotiv de l'Anneau

*5 steps in 7-et on C. Equal-tempered: 25/7:1 = 857.14 cents. MIDI pitch bend: 37,50

*6 steps in 7-et on C. Equal-tempered: 26/7:1 = 1028.57 cents. MIDI pitch bend: 18,73

*Septimal major second on C = D- (Ben Johnston's notation). 8:7 = 231.17 cents. Limit: 7-limit. MIDI pitch bend: 125,73

*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45

*Septimal diesis on C = D♭ (Ben Johnston's notation). 49:48 = 35.7 cents. Limit: 7-limit. MIDI pitch bend: 54,75

*3 steps in 7-et on C. Equal-tempered: 23/7:1 = 514.29 cents. MIDI pitch bend: 73,68

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

*Septimal semicomma on C = D (Ben Johnston's notation). 126/125 = 13.79 cents. Limit: 7-limit. MIDI pitch bend: 53,68

*Septimal comma on C = C- (Ben Johnston's notation). Just: 64/63 = 27.26 cents. Limit: 7-limit. MIDI pitch bend: 93,72

*4 steps in 7-et on C. Equal-tempered: 24/7:1 = 685.71 cents. MIDI pitch bend: 54,59

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Beethoven Appassionata 3 final bars of Andante

Sonata no. 21 in c major (Waldstein sonata) - i. allegro con brio

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

6. Streichquartett, op. 18, 2. Satz String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - II. Adagio ma non troppo

Sonata No. 8 in C Minor Pathetique, Op. 13 - III. Rondo - allegro

Bach; Chaconne d-moll Heifetz

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Schubert - D. 759, I mm.60-4, without G.P.

Schubert - D. 759, I mm.60-4, with G.P.

*Septimal quarter tone on C = C (Ben Johnston's notation). 36:35 = 48.77 cents. Limit: 7-limit. MIDI pitch bend: 78,79

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Haydn's Sonata in G Major: Coda.

Frederic Chopin - Piano Sonata No.2 in B flat minor Op35 - III Marche Funebre Chopin - Sonata b-moll op. 35. III - Marsz żałobny

Frederic Chopin - Piano Sonata No.2 in B flat minor Op35 - IV Finale Presto Chopin - Sonata b-moll op. 35. IV - Finale presto

Sonata in B Flat Minor, Op. 35 - III. Marche funebre, Lento

Sonata in B Flat Minor, Op. 35 - I. Grave, Doppio movimento

Frederic Chopin Piano Sonata No.2 in B flat minor Op35 - I Grave Doppio Movimento Chopin - Sonata b-moll op. 35. I - Grave doppio movimento

Sonata in B Flat Minor, Op. 35 - IV. Presto

First theme of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1–12.

Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.

Kindertotenlieder, V. In diesem Wetter, in diesem Braus. « In diesem Wetter, in diesem Braus », chant n° 5 des Kindertotenlieder (Chants sur la mort des enfants), composé en 1904 par Gustav Mahler.

Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.